Author Topic: Stolen Art (Read 110321 times)

Crazy Vick · « **Reply #200 on:** June 23, 2015, 03:18:52 PM »

Famous French WW1 by Jules Abel Faivre (1867-1945)

Another famous American WW2 version using the concept

Recently noticed this "stolen" art on a 1949 movie poster from Argentina

erik1925 · « **Reply #201 on:** June 23, 2015, 03:26:41 PM »

The Inspiration of a great pose can run across decades, that's for sure.

Crazy Vick · « **Reply #202 on:** June 23, 2015, 03:31:07 PM »

Quote from: erik1925 on June 23, 2015, 03:26:41 PM

The Inspiration of a great pose can run across decades, that's for sure.

Case in point.

erik1925 · « **Reply #203 on:** June 23, 2015, 03:33:27 PM »

Touche', Vick, touche'!!

Tang Lung in Rome · « **Reply #204 on:** July 14, 2015, 08:48:51 PM »

JFK : Do not ask what Hulkamania can do for you , ask what you can do for Hulkamania....brother.

Ich bin ein Hulkamaniac !

Hitler : I love my fatherland although deep down I must admit that Hulkamania is the greatest.

Chop-Top · « **Reply #205 on:** August 28, 2015, 02:53:28 AM »

Mad Max: Fury Road ripoff

Tob · « **Reply #206 on:** September 25, 2015, 06:21:04 AM »

A couple that are perhaps more 'stolen concept and composition' rather than 'stolen art'

On the left is an alternative movie print for Bourne Legacy by artist Raid 71, on the right is a recent one sheet design for No Escape (I believe it may have been scrapped after a bit of a Twitter fuss on how shameless it was):

Tob · « **Reply #207 on:** September 25, 2015, 06:21:51 AM »

...and this one I saw this over at expressobeans - on the left is an alternative movie print for Inception by artist Gabz designed a couple of years ago. On the right is the one sheet for Sicario:

Simes · « **Reply #208 on:** September 25, 2015, 09:36:25 AM »

Well found. Amazing.

Mirosae · « **Reply #209 on:** September 25, 2015, 12:09:11 PM »

That is "Stolen art" alla " in your face"

Good eye!

jayn_j · « **Reply #210 on:** September 25, 2015, 03:13:16 PM »

In my mind, if a design is not used for a film, it becomes fair game for something else. Especially true if it is the same designer for the same studio.

Crazy Vick · « **Reply #211 on:** September 25, 2015, 10:48:52 PM »

so where does this register from 1978
http://www.ebay.com/itm/321860625821?_trksid=p2060353.m1438.l2649&ssPageName=STRK%3AMEBIDX%3AIT

ladeda · « **Reply #212 on:** September 25, 2015, 11:35:14 PM »

I hope the same designers were involved in those last ones. Even then, that's appallingly lazy.

erik1925 · « **Reply #213 on:** September 25, 2015, 11:36:44 PM »

Quote from: ladeda on September 25, 2015, 11:35:14 PM

I hope the same designers were involved in those last ones. Even then, that's appalling lazy.

brude · « **Reply #214 on:** October 04, 2015, 07:31:27 PM »

Quote from: Tob on September 25, 2015, 06:21:04 AM

A couple that are perhaps more 'stolen concept and composition' rather than 'stolen art'

On the left is an alternative movie print for Bourne Legacy by artist Raid 71, on the right is a recent one sheet design for No Escape (I believe it may have been scrapped after a bit of a Twitter fuss on how shameless it was):

Wow.
Quite a blatant rip-off, eh?

Ari · « **Reply #215 on:** October 05, 2015, 05:51:19 AM »

anyone calling themselves Raid 71 deserves to be ripped off

erik1925 · « **Reply #216 on:** January 16, 2016, 04:00:17 PM »

2 French posters for 2 different spaghetti westerns that were both made in 1966. The 1P on the left, titled Sugar Colt, was directed by Franco Giraldi. The moyenne poster on the right, (the English title), is One Thousand Dollars on the Black (aka Blood at Sundown or Mille dollari sul nero- Italian title), and was directed by Alberto Cardone (tho credited as Albert Cardiff on the poster).

Sugar Colt was released in October of 1966 and One Thousand Dollars on the Black in December of '66.

I'd say one heavily "borrowed" from the other, with just the slightest of artistic modifications.

50s · « **Reply #217 on:** January 16, 2016, 04:15:44 PM »

^ I can see there are some similarities there, well spotted Jeff

Simes · « **Reply #218 on:** January 16, 2016, 08:16:34 PM »

An amazing spot there fella.

How on earth did you come across those then?

I am amazed that the art for these two films were presented in the same year! Art stolen for a film, five or 10 years later is (in those days I suppose) understandable. But in the same year!!

mwright · « **Reply #219 on:** January 16, 2016, 10:53:19 PM »

Quote from: erik1925 on January 16, 2016, 04:00:17 PM

I don't see the resemblance?

50s · « **Reply #220 on:** January 17, 2016, 02:10:17 AM »

^ at first I thought it was the rings but then realised it was the word Techniscope

erik1925 · « **Reply #221 on:** January 17, 2016, 02:25:04 PM »

Quote from: 50s on January 17, 2016, 02:10:17 AM

^ at first I thought it was the rings but then realised it was the word Techniscope

Yeah -- and that Eastmancolor / Technicolor thing sure looks to be close, too..

erik1925 · « **Reply #222 on:** January 18, 2016, 05:27:03 PM »

Actually more of a borrowed pose/art, as one of the actors is not the same, yet the director is.

John Ford & Co must have really liked the imagery of Maureen O'Hara being carried by John Wayne, as was used on the three sheet for The Quiet Man (1951), to repeat a similar pose, three years later, (with Tyrone Power having the "carrying honors") for Ford's 1954 film, The Long Gray Line.

Even her skirt and shoe color remained the same on both.

50s · « **Reply #223 on:** January 18, 2016, 05:36:06 PM »

The guys hand in the second poster is a bit adventurous

erik1925 · « **Reply #224 on:** January 18, 2016, 05:37:46 PM »

Tyrone was a bit more frisky.

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Author Topic: Stolen Art (Read 110321 times)

Mirosae