Author Topic: Eye Popping Stone Lithos  (Read 207939 times)

Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #175 on: November 24, 2011, 10:35:56 PM »
That piece rocks, Ted!   clap

Jeff


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Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #176 on: February 09, 2012, 01:21:45 PM »




-Jeff

Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #177 on: February 12, 2012, 05:50:18 PM »
Brilliant use of color. I posted this in the "Fantastic" thread, but it certainly belongs here, too:





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Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #178 on: February 13, 2012, 01:10:38 PM »
Frank Capra's THE POWER OF THE PRESS (1928):




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Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #179 on: February 13, 2012, 01:28:13 PM »
One for DW Griffith's INTOLERANCE:



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Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #180 on: February 17, 2012, 05:02:15 PM »
Stone Lithography

    Stone lithography was the first printmaking technology that allowed a traditional artist to work using traditional techniques, and to create prints that could rival an original painting in terms of detail, mood and color variations. Stone lithography was extremely popular starting in the early 1800s, and even though more modern methods have replaced the majority of its uses, it is still practiced today by some artists and lithography studios.

    The basic idea used in stone lithography is extremely simple:

    1. The artist draws/paints on the stone with a greasy substance. For example, a litho crayon is a soft waxy/greasy crayon. There are also litho paints and pencils. The stone picks up this greasy substance and holds it.
    2. The stone is moistened with water. The parts of the stone not protected by the greasy paint soak up the water.
    3. Oil-based ink is rolled onto the stone. The greasy parts of the stone pick up the ink, while the wet parts do not.
    4. A piece of paper is pressed onto the stone, and the ink transfers from the stone to the paper.

    For a wonderful article that shows step by step examples of the process of stone lithography, see How Stuff Works

    Stone lithography was used heavily during the early years of cinema. Several changes to the lithography industry caused the elimination of the use of this process.

    Large slabs of limestone had to be used which were extremely heavy and bulky. The majority of these were imported from the Limestone pits of Bavaria. The bombing of World War I destroyed a large number of limestone pits, so an alternative had to be found for a large number of lithographers.

    Some of the major lithographers turned to using a zinc plate instead of the limestone from necessity. Even though it gave the final image a slightly grainier look, it became the dominant printing process in the U.S.

    By the late 30's, another major change was in the works with the movement to offset presses. This process is VERY distinguishable from the stone lithos.

    Since lithos using zinc plates were not marked any different, most collectors consider these posters as stone lithos.

Original article here: http://www.learnaboutmovieposters.com/newsite/index/articles/StoneLithography.asp
« Last Edit: February 18, 2012, 07:59:20 PM by brude »


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Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #181 on: February 17, 2012, 05:08:43 PM »


« Last Edit: February 17, 2012, 05:12:09 PM by erik1925 »


-Jeff

Offline Ari

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Re: Eye Popping Stone Lithos
« Reply #182 on: February 17, 2012, 09:30:49 PM »
Just a quick note:

MANY dealers (some who know better) sell Aussie daybills as STONE LITHOS that are not, they are HAND LITHOS a different process, so if you see something like this listed as STONE litho remember its not ;)



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Offline Ari

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Re: Eye Popping Stone Lithos
« Reply #183 on: February 17, 2012, 09:43:01 PM »
And to be clear on the difference:

from the web. (I don't recommend the person who wrote this - but Its easier that typing myself ;)


 
From the 1940s to 1960s most Australian movie posters were produced with far more human involvement/assistance than other techniques therefore daybills from this era are often referred to as “hand litho”. This unique process is recognisable by its rich texture of colour and subtle tones.

“Hand lithos” were made using flexible zinc plates that were rolled around a large printing drum. The term ‘hand litho’ comes from the fact that the inks were applied to the plate by hand by the printers/artists who worked from tracing drafts they either executed themselves from reference material supplied by the distributors, or where the distributors contracted art studios (like Richardson for example) to execute the artwork.

Some collectors classify them as the same. Also for some reason some dealers think that listing the poster as ’stone’ litho raises the value.

It’s fairly easy to tell the difference between them - simply put a hand litho next to a stone litho daybill and the differences are obvious. Stone lithos have a finer grain to the inking, a greater subtlety to the shading and colors, a finer line to the black plate art, and so on.


Prior to the 1940s stone lithography was the most common movie poster printing process in Australia. This process was replaced primarily due to World War II.


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Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #184 on: February 17, 2012, 09:53:35 PM »
 cheers, Ari.

Thanks.

Jeff


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Offline brude

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Re: Eye Popping Stone Lithos
« Reply #185 on: February 18, 2012, 12:54:11 AM »
Great posts, Jeff and Ari.
Thanks for sorting this litho stuff out for apes like me.
 cheers

Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #186 on: March 06, 2012, 02:18:02 PM »
CHANDU THE MAGICIAN (1932), with Bela Lugosi



and

BLONDE CRAZY (1931), with James Cagney and Joan Blondell:



RED HEADED WOMAN (1932), Jean Harlow









« Last Edit: March 06, 2012, 02:30:14 PM by erik1925 »


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Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #187 on: March 06, 2012, 10:37:17 PM »
A DAUGHTER OF DESTINY- 1928, Brigitte Helm   clap clap



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Offline theartofmovieposters

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Re: Eye Popping Stone Lithos
« Reply #188 on: March 07, 2012, 06:53:44 AM »
I've always loved that DRUMS OF JEOPARDY.  Beautiful poster!

Here are some aussies...



Ves

Offline brude

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Re: Eye Popping Stone Lithos
« Reply #189 on: March 07, 2012, 03:41:50 PM »
 clap clap clap clap clap clap


Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #190 on: March 08, 2012, 02:40:03 PM »
I've always loved that DRUMS OF JEOPARDY.  Beautiful poster!

Here are some aussies...



These early daybills are STUNNING, Ves. True works of art.  sm1

Jeff


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Offline theartofmovieposters

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Re: Eye Popping Stone Lithos
« Reply #191 on: March 08, 2012, 02:50:58 PM »
These early daybills are STUNNING, Ves. True works of art.  sm1

Jeff

This is why it is my favourite area of collecting :)
Ves

Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #192 on: March 08, 2012, 08:17:34 PM »



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Offline Zorba

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Re: Eye Popping Stone Lithos
« Reply #193 on: March 08, 2012, 08:23:10 PM »



That is too Sweet!

These early daybills are STUNNING, Ves. True works of art.  sm1

Jeff

Yes they are!

Offline erik1925

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Re: Eye Popping Stone Lithos
« Reply #194 on: March 08, 2012, 08:46:39 PM »
Looks more like offset, but I know Matias and others will like this, too.  sm1





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Offline 110x75

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Re: Eye Popping Stone Lithos
« Reply #195 on: March 09, 2012, 01:11:32 PM »
Those are amazing Jeff, love 'em both!
Even being a lover of Universal Horror, I like the Muni one better...
Matias
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Offline brude

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Re: Eye Popping Stone Lithos
« Reply #196 on: March 09, 2012, 02:00:56 PM »
Just realized that this thread doesn't have the greatest (IMO) of them all....


Offline 110x75

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Re: Eye Popping Stone Lithos
« Reply #197 on: March 09, 2012, 02:18:55 PM »
Just realized that this thread doesn't have the greatest (IMO) of them all....



Image is cropped Ted. Let me get back home and I'll take a pic of mine   ;D
Matias
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Offline Louie D.

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Re: Eye Popping Stone Lithos
« Reply #198 on: March 09, 2012, 02:25:16 PM »
I think this one would have been pretty tremendous had it survived:


Offline brude

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Re: Eye Popping Stone Lithos
« Reply #199 on: March 09, 2012, 02:27:12 PM »
Image is cropped Ted. Let me get back home and I'll take a pic of mine   ;D

 laugh1



This was my first feature.  I was just a kid. That's me on Brix's shoulders.