I've been expanding my narrow collecting habits a bit lately with formats that I usually don't acquire: for example, I recently picked up a pressbook for the 1936 Todd Browning film Devil Doll. Since paper for this title is quite scarce (only a couple of linenbacked one-sheets style D have surfaced at auctions in the past 20 years), I figured that this would be as good an opportunity as any for me to get something from this movie. The MGM pressbooks were often quite lavish compared to those made by other studios, and the full color front cover is the same size as a window card (and it reproduces the exact same image), so that got me interested. I quite like it and I'm thinking of framing it as it is (probably double-sided so that the back showing the various poster sizes in color can be seen too).
I also bought an insert, which is a format I generally dislike, for The Undying Monster (1942), John Brahm's atmospheric take on the werewolf myth. What decided me to make an exception this time is because I find the overall design of the insert much more appealing than the art used for the one-sheet, which I always found lackluster.
Finally, I got an original painting by the godfather of pulp magazine illustrations, the great Norman Saunders. This one was used as the cover of 10 Story Detective, November 1942. I'm pretty psyched about this acquisition, since I've always loved Saunders' work (I own several pulps that he did covers for), so getting one of his original artwork feels pretty special.